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Driven by Design

Aug09
2011
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When you were little and sketching cars on every available surface and pleaded with your parents to get the new alloys you saw in a magazine, did you ever think that these would be the kind of skills that would someday be in demand? You can finally put that energy and passion to use and make a career out of it. In our attempt to give you the best available options in car designing, we realised no one does it better than the India’s car design guru himself, Dilip Chhabria (DC). Using design as a differentiator, DC has made true the mantra, ‘good design is good business’, by establishing a design-based company in 1993 in Mumbai. In 2010, he established DYP-DC in Pune, a design school to lead talented and interested students in his path.

The industry

India is the second fastest growing automobile market in the world. Competitiveness between brands and an increasing presence of global brands in India is the key to this demand. The auto manufacturing industry is also witnessing robust growth — 25-30 per cent annually which is what is creating a demand for talented designers. In 2010, India produced more than 3.5 million automobiles (an increase of 33.9 per cent from 2009).

The beginning

Car designing has emerged as a new and dynamic field in India and is still in its nascent stage. Design helps you make radical or instrumental changes. Automobile design implies taking into account several elements: function of the car, market, production, distribution, promotion, price reduction and increase in safety, ergonomics and environmental concerns. “In the last ten years, I have received queries from youngsters on where they can learn to design cars and what they need to do. Parents come up to me and say, ‘My son wants to be you.’ Cars signify glamour, power and sex appeal and very few products compete on a desirability point of view. We have the requirement, but no history of education in car design,” says Chhabria.

This thought led to an idea five years ago, which was then pursued by Chhabria and Ajeenkya Patil of DY Patil University, Pune. This culminated in the establishment of DYP-DC Centre for Automotive Research and Studies.

The campus

Located in the 100-acre DY Patil Knowledge City in Pune, amidst hills and farmland, there couldn’t be a better location for creativity to kick in. They offer undergraduate and postgraduate programmes in automobile design, which is residential in nature. Basic requirements in students are the skills to visualise and sketch and an ability to think and create something new.

The course

The three-year UG course costs `5 lakh per annum and the two-year PG programme would come up to `7 lakh per annum. This includes the cost of materials required, which will in many ways prevent any kind of disparity among students. Scholarships are given on a case-to-case basis. Each batch would comprise only 20-30 students because a course like this requires personal attention from teachers and more practical work.

The courses include study of design fundamentals, automobile design studios and digital tools along with basic design, colour theory, drawing and digital 3D modelling. The subjects in the curriculum are basic automotive engineering, basic aerodynamics, vehicle architecture, automotive product planning, vehicle structures, vehicle packaging, materials and processes.

Eligibility

There is a common misconception that automobile engineers are better suited for designing. “It is not so,” says Hrridaysh Deshpande, director, DYP-DC. “In fact, engineering graduates have to be made to unlearn what they’ve already learned to be more in tune with designing needs,” he adds.

Automotive designing is restricted and regulated for the most part, because of engineering limitations, cost issues and strict automotive regulations to adhere to. With the remaining freedom, one has to create something new that doesn’t resemble the past, cater to the brand needs and create something that will be wanted by both client and customer.

The DC factor

Chhabria is hands-on in terms of curriculum and interaction with students. They have designed the campus to have wood and metal workshops for students where they will work on models, a library, and state-of-the-art computer labs with interactive displays, prototyping machinery and 3D printers. They have a design critique session every week, with Chhabria as the moderator and they discuss the pros and cons of a car model, with insights from him. The concept of examinations has been modified to include assignments and juries, which will help build a student’s portfolio.

Mentors

They have eight full-time faculty members from prestigious institutions with industry experience. They also have four faculty members from abroad — Emanuele Nicosia, has worked with Ferrari, Alfa Romeo, Jaguar, Peugeot and Cadillac, and Mizuho Tomita Nicosia, design planner and conceptor, has collaborated with big brands like Subaru, Nissan, Honda and Daihatsu. Their visiting faculty includes Sang Koo from the School of Industrial Design, Hanbat National University in South Korea, Patrick Roupin, MD of Kovent Infotech, Vikas Satwalekar, former director of National Institute of Design, Ahmedabad, Henri Christaans from Delft University of Technology, only to name a few.

“I believe that DYP-DC has set very ambitious goals for the institution. We are talking of a school that will become a reference in car design in India. This is a fascinating dream and I would be pleased to be part of it. I am putting my competence, knowledge and enthusiasm as contribution to this programme,” says Nicola Crea, who teaches automobile designing at University of Chieti, Politecnico di Milano and University of Genoa and is a guest faculty at DYP-DC.

Industrial connections

Students get a chance to work with Chevrolet and DC Designs, only to name a couple. “Students can earn `25,000-`1 lakh per month as starting salary, depending on the company and skills,” says Abhijeet Bhoge, faculty at DYP-DC. They are working towards arranging placements with some of the prestigious design houses and companies, since their second batch will only begin in August 2011. Admissions are still open. For details, log on to www.dypdc.com

The auto industry, being an organised sector offers a vertical growth path. So you not only have a job, but also a career when you step out of DYP-DC. It will merely be an extension of your passion, which you get paid for, with no monotony whatsoever.

What makes DYP-DC different from schools abroad? Deshpande explains, “Firstly, it is too early for a comparison. Secondly, this is a unique programme which has been enhanced by the DC factor. There are no stake holders in other schools with content knowledge. DC is a brand himself, therefore it is important to uphold that. Thirdly, it is solely for car designing, whereas the focus is dissipated in other schools. Fourthly, we provide a feasible, practical and balanced approach to design, technology and business, which are all factors to be considered while designing a car. And lastly, students here will be envisioning, researching and creating a car from scratch to present their finished product in their last year.”

Interaction with students keeps 56-year-old DC in touch with the young and fresh minds, which are always brimming with ideas. “There is a lot of talent, curiosity, growth and hunger in the youth of India. They are incredibly networked and well travelled. They have the same hunger to do what they want as their compatriots. The

problem is not them, but they need to be led. A hard mentality and regulations will go nowhere in moulding youngsters,” says Chhabria. He believes research is exceedingly important and to envision or produce a car that is required by the country in the next ten years. It is important to subject students to that intensity.

Dilip Chhabria — The Auto Guru

“As far back as my memory takes me, I’ve been crazy about cars, drawing on walls, tissue and whatever I could lay my hands on. It was and still is an obsessive interest,” says Chhabria.

After finishing his bachelor’s in commerce from Bombay University, he stumbled across an ad from a foreign varsity that invited applicants for car designing course. That is when he realised that car designing was a possibility. He went to Art Center of Design, Pasadena, USA, in 1974 for four years. He worked another year at General Motors, USA. He realised he could never work in a stifling environment, where you could only design a part of the vehicle. He returned to India, with no pressure from family and started a car accessory business mainly for Fiat and Ambassador cars, which was hugely successful, especially among the affluent.

In 1993, when he had made enough money, he established DC Designs in Mumbai, with the sole aim of offering design and prototyping services to the Indian OEM (original equipment manufacturer) industry as well as customized one-off solutions to the independent buyer.

He tells us, “In hindsight, I don’t believe you can succeed if you don’t put your back to the wall. If you have choices, you don’t succeed.” He is motivated to leave behind a legacy for his children. He strongly believes that it is no longer enough to be creative; one needs to have a business sense and a keen marketing sense so that you can think of niches to exploit. In a competitive environment, design is the only thing that sells. Design speaks for the brand.

Source: Article on DYPDC on the New Indian express website: http://expressbuzz.com/topic/dyp-dc

Posted in DYPDC - 2011 - Tagged automobile, automobile design, automobiles, car design, Design, design school, dilip chhabria, DYP-DC, DYPDC

Eero Miettinen – My world is a better place through design

Aug08
2011
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Eero 1
Eero


It gives us immense pleasure to announce that Eero Miettinen, a world renowned automobile designer, will be one of the guest faculties at DYPDC. Eero has received the highly revered Kaj Franck Design Award and is on the board of directors of the Design Forum Finland. He has worked with some of the biggest names in automobiles, including Sisu Auto Ltd in Finland and Saab-Valmet Ltd as the design head. He has also worked with Nokia as the group design director.

The following is an interview of Eero Miettinen conducted by the communications team at DYPDC College:

How’s your stay in India been so far?
Eero: Very good actually. I love coming to India. But I don’t find time to do the things tourists generally do because my schedule is always very tight.

How did you get interested in Automobile Design?
Eero: I was born a designer, drew cars since I was two and still do. Fortunately it also became my passion and profession.

How do you see India in this respect?
Eero: India has been doing very well for itself. You have this rich heritage. I commend Indian car designers for being so successful for such a long time in this highly competitive market.

We’re thrilled that you will be one of the guest faculties at DYPDC College. Tell us more about that.
Eero: I’m equally thrilled to be a part of this initiative. Incidentally, I also teach design back in Finland at the Alto University, so this will further help my desire to share my experiences with the new generation of automobile designers.

Could you share a bit more on DYPDC College and what it is aiming to achieve?
Eero:Despite of having a huge heritage of car designers, India still has only a handful of design schools. DYPDC College is a great initiative. There is an increasing demand for good automobile designers and DYPDC College will plug this gap.

What is design to you?
Eero:All objects that we use have to be ‘designed’ – be it a simple object like a cup or a more complex one like the car. Cars are complicated to design. When you design a car, it’s not only about the exteriors, it’s also about designing the proper interiors and also considering safety measures. The designer needs to know the work and functioning of the car. A good designer has to champion both engineering and designing. My world is a better place through design; hopefully the world is a better place through my design.

What’s the biggest high for an automobile designer?
Eero: The biggest high for an automobile designer is to see his creation taking shape and then finally being driven around the world.

Could you tell us a bit about the possibility of collaboration between DYPDC College and Alto University?
Eero: Since I’m doing a similar thing in Finland at Alto, this is a very good foundation for collaboration and exchange, and is a great opportunity for both schools. And one of the best ways for collaboration would be through projects.

Any words of advice for upcoming designers?
Eero: Everyone wants to be an automobile designer, but we shouldn’t compromise on quality in the bid. You need to be very dedicated if you want to be a good designer. A designer should also be aware of his/her social and environmental responsibilities. One needs to find out ecological solutions such as alternative power sources. The infrastructure, that is, the roads and the streets should be in a proper condition for the increased efficiency of the automobiles.

Posted in DYPDC - 2011 - Tagged automobile design, DC, dc design, dilip chhabria, DYPDC, DYPDC Center for automotive research and studies, dypdc.com, Eero miettinen, Finland, group design director, guest faculty, industrial designer, Kaj Franck Design Award, Nokia, Saab-Valmet, Sisu Auto

12 good reasons why you should choose DYPDC

May23
2011
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Dypdc College
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If you think, breathe and talk cars, and can’t think of doing anything else than designing cars and bikes all your life, then you should pursue automotive design at DYPDC. Here are 12 reasons why joining DYPDC is such a good idea:

1. Dilip Chhabria, your Chief Mentor, will inspire you to bring distinctness to your art, who will guide you, help you find your voice as a designer.

2. Focus – DYPDC College is completely focused on Automobile design education.

3. Instructional facilities that inspire ideas and breed creativity

4. Faculty that open a world of possibilities for you.

5. International visiting faculty that bring years of experience, who will make you question, discover, explore, and express yourself, and push you to new limits you never thought were possible.

6. A curriculum that is flexible, stimulates interest and develops knowledge, skills and understanding of automotive design.

7. Preparation for a life of continuous growth and learning.

8. A range of teaching and learning methods

9. Our deep-rooted partnership with the industry will help us source design projects, internships and placements.

10. International exposure through exchange programs and study tours

11. A stimulating, dynamic student life for a great college experience.

12. Students build an actual car at the end of their program. No other design school has this unique feature.

Posted in May 2011 - Tagged automobile design, automobile engineering, automotive engineering, bike design, car design, dc design, DC designs, Design, dilip chhabria, dydpdc college, DYPDC, industrial design, international faculty, Pune, transportation design

Alternative presents and speculative futures

Jan18
2011
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James & Jimmy

James & Jimmy

A unique lecture, titled, ‘Alternative presents and speculative futures’ was recently held at MCCIA, Pune. It was conducted by James Auger (Royal College of Art, UK) and Jimmy Loizeau (Goldsmiths College, UK), who demonstrated their creation: carnivorous robots in the context of consumers and users of technology.

The DYPDC Communications team was there to have a chat about design and technology.

Their main aim, through such lectures, is to create products that evolve from their technological research and development and become a part of our domestic lives. For the purposes of this project the product/technology to be investigated is robots, exploring the roles they may play in mediating, modifying, controlling and augmenting our existence, both today and in the future.

“Through the development and dissemination of speculative and critical products and services we hope to instigate a broader analysis of what it means to exist in a technology rich environment both today and in the near future.” –James and Jimmy.

At MCCIA, they demonstrated ‘Flypaper combined with Robotic clock’

To learn more about James and Jimmy, kindly visit – http://www.auger-loizeau.com/

Posted in January 2011 - Tagged Alternative presents and speculative futures, carnivorous robots, Design, dilip chhabria, dpdc, dy patil, DYPDC College, engineering, future, goldsmiths college, james auger, Jimmy Loizeau, MCCIA, Pune, robotic, robots, royal college of art, technology, UK

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